Arthur and the Early Printed Book in Europe

This chapter addresses Arthurian romance and its transition from manuscript to print in the Renaissance, in its four European heartlands, France, Germany, Iberia and Italy. The first printed editions appear in the last decades of the sixteenth century, and seem to have met with success, with printer-publishers capitalising on the popularity of Arthuriana in manuscript: extending or condensing, resurrecting more obscure romances and adapting them to new tastes, modernising language – but also furnishing, in the face of moralists’ disapproval, alluring prefaces which stress their educational and moral value, and their importance as records of ancestry and hence for the revival of ancestral chivalry. Increasingly, however, publishers look to novelty, turning to new heroes like Amadis de Gaule, or Perceforest, or new adventures for familiar heroes, witness Maugin’s Nouveau Tristan . Ultimately, however, Arthurian romances come to seem trivial, or morally suspect, or simply outdated – and they are largely discarded by printers.