Arthur in Continental European Literature and Culture, 1920 to the Present

The twentieth century saw a considerable number of rewritings and adaptations of the Arthurian legend, in as many styles and purposes as there were writers, cultures and national heroes. Two main and sometimes paradoxical tendencies appeared: a quest for a supposedly deeper historical knowledge, and a need to popularise Arthurian themes. As Nazis launched their own quest for the Holy Grail, a subsequent need to re-enchant the world was expressed throughout the century. By adapting medieval texts to insist on their modernity for a contemporary readership, authors, artists and creators insisted on the universal aspects of the Matter of Britain, using it to emphasise the disillusionment in our modern Western societies, or on the contrary to expose the alleged wonders of an immutable human nature. The twentieth century confirmed this wide malleability, as Continental Europe regularly found in King Arthur a symbol of its own preoccupations.