Arthur in Anglophone Cinema and Television

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Authors: Laurie Finke, Martin B. Shichtman
Cited by: 0
References: 11

Abstract

Anglophone Arthurian films (including television) continually restage the triumphant break from the medieval that serves as the constitutive myth of origin for modernity. The divinely appointed absolute monarch (Arthur) returns, but only to figure a sovereignty invested in the people. Medieval Arthurian narratives explore the nature and exercise of political authority, providing ideological legitimacy for political institutions and defining the individual’s obligations within those institutions. This chapter examines how modern Anglophone film and television remediate Arthurian legends, projecting contemporary notions of sovereignty back onto the Middle Ages.

Fields of Study & Subjects

Medieval Literature and History Shakespeare Adaptation and Literary Criticism Cinema History and Criticism

Publication details

Journal / source
Cambridge University Press eBooks
Pages
435–453
Publication date
12 January 2026
Document type
Book chapter