Arthur in Anglophone Cinema and Television
Abstract
Anglophone Arthurian films (including television) continually restage the triumphant break from the medieval that serves as the constitutive myth of origin for modernity. The divinely appointed absolute monarch (Arthur) returns, but only to figure a sovereignty invested in the people. Medieval Arthurian narratives explore the nature and exercise of political authority, providing ideological legitimacy for political institutions and defining the individual’s obligations within those institutions. This chapter examines how modern Anglophone film and television remediate Arthurian legends, projecting contemporary notions of sovereignty back onto the Middle Ages.
Fields of Study & Subjects
Medieval Literature and History
Shakespeare
Adaptation
and Literary Criticism
Cinema History and Criticism
Publication details
- Journal / source
- Cambridge University Press eBooks
- Pages
- 435–453
- Publication date
- 12 January 2026
- Document type
- Book chapter