Arthur in Non-Anglophone Cinema and Television

‘Non-Anglophone Arthurian cinema’ is a diffuse collection of films held together only by the fact that they are not in English and they all bear some kind of nominal or narrative relationship to the tradition of Arthurian story-telling. Despite scant evidence of continuous tradition, including between films in the same language, and long gaps in the corpus, three main strands can be identified: cinematic versions of the Tristan and Iseult legend, films about Perceval and the Holy Grail, and films centred on Arthur, Lancelot and Guinevere. The third strand is minor: one of the most notable aspects of non-Anglophone Arthurian cinema is the relative paucity of films about Arthur himself, suggesting a distinct relationship to the Arthurian tradition. This corpus of Arthurian screen texts differs from Anglophone cinema in its narrative emphasis, avant-garde techniques, and in its engagement with cultural, historical and ideological concerns that extend well beyond the Anglosphere.