Disturbed Imagination
Abstract
An examination of the importance of idiosyncrasy, individuated expressiveness, nurturing the excessive and a willingness to learn from accident and surprise. The chapter begins with elaboration of Proust’s fervent interest in Ruskin’s interest in the disturbed imagination, before also discussing the London studio pottery of the Martin Brothers, along with contemporary examples of work that upsets established hierarchies and categories, as well as taking functionality to its limits.
Fields of Study & Subjects
Crafts
Textile
and Design
Art
Politics
and Modernism
Aesthetics
and Perception
Publication details
- Journal / source
- Cambridge University Press eBooks
- Pages
- 179–220
- Publication date
- 27 February 2026
- Language
- EN
- Document type
- Book chapter