Chinese–Slavic Romance in Chinese Screen Culture

This chapter examines the visual narratives through which China’s ‘China Dream’ of global rise idealises a particular type of international marriage: a union between a Chinese man and a white woman who is transformed into an obedient daughter-in-law absorbed into Chinese patriarchal structures. Analysing three Chinese TV dramas and a fiction film that highlight pivotal moments in Chinese–Russian relations across three decades of reform (1990–2010s), the chapter explores how these cultural products construct a consistent portrayal of the white woman – strong, intelligent, beautiful and independent – who ultimately submits to Confucian patriarchal values under the guidance of a Chinese man. By connecting televised portrayals of Chinese–Russian romance with broader political and public discourses on China’s foreign relations, this chapter uncovers the role of cinematic geopolitics in creating a hyperreality that bridges fantasy and the everyday.