A Martyr of Civil Wars

Ambrose of Milan’s funerary oration for Valentinian II (392 ce ) confronts violence, civil war, and imperial authority, ultimately redefining the emperor’s body as a collection of relics. The oration’s ambiguity regarding the circumstances of Valentinian II’s premature and violent death was not merely a matter of political expediency; it also served as a rhetorical strategy to support Ambrose’s innovative treatment of the emperor’s corpse. By weaving passages from the Song of Songs into his oration, Ambrose evoked imagery resonant with same-sex desire, while presenting himself as the emperor’s guarantor – but in his very own way: as a “womanly” father and a lover mourning his beloved. In portraying Valentinian II as a selfless soldier-martyr, Ambrose rehabilitated an emperor who may have died by suicide and without the sacrament of baptism, while also redefining key imperial virtues at a time when they – and the empire – faced mounting challenges from both internal and external forces.