Rhythm II

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Authors: Yuchau E. Hsiao
Cited by: 0

Abstract

Folk verse occupies a middle ground between formal poetry and colloquial speech, maintaining poetic structure while preserving natural speech patterns. It adapts the metrical hierarchy of traditional verse but constructs feet based on metrical beats rather than syllables. This form distinguishes between masculine and feminine rhythms, with the former being predominant and the latter creating a softer tone. Function words and medial immediate constituents (ICs) tend to share a beat, and beat sharing serves as a strategy to achieve a masculine rhythm. However, a strong beat or a final beat cannot be shared, often resulting in an unparsed shared beat. An unparsed beat does not participate in clapping, and line-initial unparsed beats reflect extrametricality. A notable feature of folk verse is its abundant use of interjections, which enhance its rhythmic quality.

Fields of Study & Subjects

Poetry Analysis and Criticism Syntax Semantics Linguistic Variation Folklore Mythology and Literature Studies

Publication details

Journal / source
Cambridge University Press eBooks
Pages
211–228
Publication date
28 February 2026
Language
EN
Document type
Book chapter