Operatic Spectacles at the Savoy Court in the Late Seventeenth Century: New Insights from the Avvisi di Torino

Abstract This article re-evaluates the late seventeenth-century operatic culture of the Savoy court in Turin through the lens of newly examined archival material, the Avvisi di Torino preserved in the Medici archive in Florence. These handwritten newsletters, covering the years 1688–99, offer unprecedented insights into the musical and theatrical life of the Savoy capital, a court that stood at the crossroads of the Italian and French traditions. Previous scholarship has often overlooked this period or has relied primarily on printed librettos that provide only a partial view of operatic production. By integrating the avvisi with other sources, this study reconstructs the repertory, organization, and sociopolitical function of operatic spectacles under Victor Amadeus II of Savoy.