Enunciating a Black Geography

TDR/The Drama Review 2026

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Authors: Danielle Roper
DOI: 10.1017/s1054204325101135
Cited by: 0
References: 17

Abstract

The blackface photographic series Negro utópico (2001) by the Afro-Colombian artist Liliana Angulo underscores the role of racial impersonation in the enunciation of a black geography amid Colombia’s turn toward multiculturalism. Negro utópico is embroiled in an act of Black place-making as part of Viaje sin Mapa , the first art exhibit focused on blackness in Colombian art.

Fields of Study & Subjects

Afro-Latin American Studies Arts and Performance Studies Race History and American Society

Publication details

Journal / source
TDR/The Drama Review
Volume
70
Issue
1
Pages
174–187
Publication date
1 March 2026
Language
EN