Reimagining performance: Latin American concert practices in the metaverse during the pandemic
Abstract
Abstract During the COVID-19 lockdown, Latin American artists turned low-cost, open platforms such as Mozilla Hubs, Twitch, Jitsi, YouTube and OBS into ephemeral infrastructures for collaborative VR concerts, 3D live-coding sessions, collective streaming events and networked Algoraves. Drawing on participant observation, event documentation and informal interviews, this article examines these cases with a focus on La Fábrica VR (TOPLAP México) and related experiences in Mexico, Peru, Colombia, Argentina and Costa Rica. We argue that these practices materialise a situated, collaborative and tactically informal technological production that reconfigures agency, embodiment and listening in immersive environments.
Fields of Study & Subjects
Music Technology and Sound Studies
Art
Technology
and Culture
Music History and Culture
Publication details
- Journal / source
- Organised Sound
- Volume
- 31
- Issue
- 1
- Pages
- 96–103
- Publication date
- 27 February 2026
- Language
- EN