The Glyndebourne Émigrés: operatic mobilities in southern England, 1934-1940

Immigrants & Minorities 2026

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Authors: Alexandra Wilson
DOI: 10.1080/02619288.2026.2637942
Cited by: 0

Abstract

Until the early 1930s, the only place where British audiences could experience ‘international’ opera – that is to say, performed in the original language, by non-British singers – was at Covent Gar...

Fields of Study & Subjects

Musicology and Musical Analysis Theater Performance and Music History Music History and Culture

Publication details

Journal / source
Immigrants & Minorities
Volume
44
Issue
3
Pages
504–506
Publication date
2 March 2026
Language
EN