Gender in French banlieue cinema: intersectional perspectives
Abstract
‘Every film is a machine for changing identity’ (p. 153). ‘Banlieue Cinema after La Haine’ is the title of the opening chapter in which the editors explain the question which all the contributors a...
Fields of Study & Subjects
Cinema History and Criticism
Gender and Feminist Studies
Cinema and Media Studies
Publication details
- Journal / source
- Modern & Contemporary France
- Pages
- 1–2
- Publication date
- 6 February 2026
- Language
- EN