Homing performance: a Black feminism roundtable

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Authors: Sasha J. Sanders, Anjuliet G. Woodruffe, Laura D. Oliver, Marquese McFerguson, Aisha S. Durham
Cited by: 1
References: 27

Abstract

In this essay, we engage in a roundtable discussion to explore how we each home Black feminist performance in our work. We offer “homing” as an organizing concept. It does dual work. First, homing recalls a placemaking practice or a praxis of becoming and belonging using the knowing-doing body to create, disrupt, or transform space. Second, homing denotes a return to radical joy and make-do pragmatism rooted in Black feminism that relies on the knowing-being body to analyze aesthetics and to point to performative possibilities for social change. We organize homing into three sections: Homeplace, Homework, and Homebody.

Fields of Study & Subjects

Diversity and Impact of Dance Theatre and Performance Studies Caribbean history culture and politics

Publication details

Journal / source
Text and Performance Quarterly
Publisher
Informa UK Limited
Volume
46
Issue
3
Pages
189–201
Publication date
16 April 2026
Language
EN