ColdplayGate as digital spectacle: memetic communication, hybrid media events, and platform amplification

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Authors: Dag Øivind Madsen
Cited by: 0
References: 27

Abstract

In July 2025, a short kiss-cam moment at a Coldplay concert moved from a stadium screen to global meme circulation within hours. This paper uses the ColdplayGate incident to examine how minor live moments become digital spectacles through hybrid media dynamics, platform amplification, and memetic communication. Drawing on research on spectacle, hybrid media systems, platform governance, and humor-based meaning-making, the paper shows how live events are now intertwined with digital infrastructures that support rapid recording, remix, and recirculation. The case illustrates how users, journalists, brands, and entertainers co-produce a fast-moving narrative by converting an awkward scene into a template for jokes and commentary. The analysis highlights how context collapse, algorithmic visibility mechanisms, and shared memetic repertoires shape public meaning. The paper concludes by outlining implications for digital culture, participatory media, and the study of involuntary visibility in platform society.

Fields of Study & Subjects

Media and Digital Communication Gender Feminism and Media Humor Studies and Applications

Publication details

Journal / source
Cogent Arts and Humanities
Volume
13
Issue
1
Publication date
27 January 2026
Language
EN