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Authors: Melvyn Stokes
Cited by: 0

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Abstract

Abstract From the arrival of the first Charlot films in France in 1915, French film reviewers, intellectuals, and avant-garde writers enthusiastically welcomed Chaplin and his work. Many remained his fans for life. They defended him against American criticism of his private life and his political views. Interestingly, it did not matter whether French commentators themselves were from the right or the left: most found ways of praising him, even if the Charlot they constructed as a star differed from writer to writer. On the relatively rare occasions Chaplin was criticized in France, most of the cinema press supported him against his critics.

Fields of Study & Subjects

Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Publication details

Journal / source
Oxford University Press eBooks
Pages
265–270
Publication date
16 March 2026
Language
EN
Document type
Book chapter