Counter-Visual Artifacts: Negotiating Surveillance and Carceral Visuality in Public Housing through Videovoice

U.S. public housing is historically a site of racialized and carceral surveillance. Digital surveillance technologies reinforce this containment by mediating carceral visuality, the institutionalized visual and analytic lenses that shape perceptions and governance of public housing spaces and residents. This paper presents a videovoice project with a public housing community, for which residents used smartphones to capture their routines, spatial practices, and imaginaries in relation to surveillance. We analyze how these video artifacts enact alternative ways of seeing and knowing, surfacing overlooked routines, relations, and critiques of surveillance. These videos document what is often invisibilized: the lived consequences of carceral visuality and the situated knowledge of those surveilled. We propose “counter-visual artifacts” to describe the political and disruptive role these videos play in challenging dominant visual regimes and reclaiming the right to see and be seen otherwise. By advocating for counter-visual sensibilities, we invite HCI scholars to rethink how artifacts make room for alternative ways of seeing.