Decolonizing the capuchin monkey?

This article explores the colonial dimensions of Salzburg’s cultural heritage by examining the early modern Cabinet of Art and Curiosities in the former residence of the prince-archbishops. The collection serves as a case study tracing historical global entanglements of European colonialism and to critically assess museal practices. Drawing on both archival sources and secondary literature, we reflect on the historical creation and contemporary exhibition, as well as its framing and persistent Eurocentric narratives and imaginaries of non-European cultures and nature. We argue that, due to Salzburg’s historical special position within the Holy Roman Empire and ideological heritage, the decision to preserve, rather than transform, the Cabinet has become central for the current form of the exhibition.