A Tragedy of Logos

In this article, we will investigate specific aspects of the concept of lògos in Ernesto Grassi’s philosophy. After examining the fundamental theoretical premises of his thought, particularly his metaphysical-ontological approach to the notion of manifestation, as well as their consequences on the aesthetic plane, we will focus on the distinction he draws between demonstrative and indicative lògos. A central point of inquiry will be how Grassi presents indicative lògos as an original and transcendental foundation for the rational structuring of thought and language. This article thus seeks to critically assess his position, clarifying its implications both for theoretical inquiry and for the nature of language, as well as the potential conceptual challenges it entails.