3.6 Finding a neutral hand

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Authors: Liwei Ren
Cited by: 0

Abstract

This video demonstrates practical techniques for discovering a neutral hand position at the piano. It addresses a common problem where maintaining a fixed hand position with overly curved fingers leads to undue tension, restricted motion, and discomfort. This unnatural curvature impedes finger dexterity and range of motion, causing unnecessary stress and stiffness in the hands, wrists, and forearms.Guided by the work of de Lisle (2022), Marsh (2019), and Roskell (2020), the video illustrates kinaesthetic approaches to reclaiming a neutral state. Such approaches can extend to observing the natural curvature of the fingers when the arm hangs relaxed at one's side, gently bringing the hands onto the keyboard from the side to preserve that organic shape, and rolling the hand across the keys to heighten tactile awareness.These exercises empower students to perceive the structural support beneath their palms and adjust their hand shapes organically. By developing a dynamic hand—one that adapts fluidly to the keyboard's topography rather than clinging to a rigid mould—pianists can achieve greater comfort, efficiency, and artistic freedom.This video forms part of a broader research project investigating the development of coordinated movement in piano performance, with applications in piano pedagogy, injury prevention, and performance enhancement.

Fields of Study & Subjects

Musicians’ Health and Performance Diverse Music Education Insights Ergonomics and Musculoskeletal Disorders

Publication details

Journal / source
University of Auckland Data Repository
Publication date
1 January 2026