3.11 The inner workings of the piano

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Authors: Liwei Ren
Cited by: 0

Abstract

One of the most common habitual issues in piano performance is the application of excessive, sustained pressure on the keybed long after the sound has been initiated. This video demonstration illustrates the piano's core mechanical principle: the timing and velocity of the initial key depression determine the hammer's speed and the resulting tonal quality. Once the hammer strikes the strings, it rebounds almost immediately due to the piano action's escapement design. Because the hammer has already rebounded and is no longer in contact with the strings, any additional excessive pressure or "pushing" into the keybed after this point—beyond the weight required to simply hold the key down—has virtually no effect on the acoustic output. Continuing to exert unnecessary force can lead to biomechanical stress, excessive neuromuscular effort, cumulative tissue loading, and a gradual buildup of strain in the fingers, hands, arms, and shoulders. Some performers intuitively believe firm, prolonged keybed contact conveys greater emotional depth or dynamic power, especially in passionate or "forte" passages. In reality, this practice typically results in wasted effort, reinforces tension-building habits, contributes to fatigue and increases the risk of playing-related injuries. This foundational insight is essential for building efficient, injury-preventive techniques and bridging the gap between physical action and musical result. This video forms part of a broader research project investigating the development of coordinated movement in piano performance, with applications in piano pedagogy, injury prevention, and performance enhancement.

Fields of Study & Subjects

Musicians’ Health and Performance Diverse Music Education Insights Music Technology and Sound Studies

Publication details

Journal / source
University of Auckland Data Repository
Publication date
1 January 2026