A LITOGRAFIA COMO CAMPO DE FORÇA: VERTIGENS E LIMIARIDADES DA PAISAGEM EM PRÁTICAS ARTÍSTICAS CONTEMPORÂNEAS NAS ARTES VISUAIS
Abstract
This article investigates contemporary artistic practices with an emphasis on lithography and its relationship with the body, landscape, and sensitive experience. The research, process-based and qualitative in nature, adopts a walking methodology, grounded in autobiographical writings and everyday gestures, such as uprooting plants and walking along Praia do Fagundes in Porto Belo (SC), Brazil. These practices give rise to artistic procedures conceived within a field of force that vibrates along the horizon line, approached here as a metaphor for sensitive experience. Lithography is explored not merely as a technique, but as a space of vibration where matter and gesture intertwine, creating a sensitive vertigo of the intangible.
Fields of Study & Subjects
Artistic and Creative Research
Art
Politics
and Modernism
Aesthetics
and Perception
Publication details
- Journal / source
- Revista da FUNDARTE
- Volume
- 1
- Issue
- 1
- Pages
- e1752–e1752
- Publication date
- 11 March 2026
- Language
- EN