Narrating cultural survival: Landscape, Memory, and Resistance in Easterine Kire’s ‘Son of the Thundercloud

This paper examines Son of the Thundercloud (2016) as a narrative grounded in cultural survival, in which land, memory, and storytelling operate as intertwined modes of resistance within the Naga worldview. Drawing on Naga eco-spiritual traditions, the novel situates landscape as an animate presence shaped by ancestral belief, oral lore, and ritual practice rather than as scenic description. Forests, rivers, and village spaces function as sites where memory is carried forward, particularly through figures such as Pele, Mesanuo, and the child Naha, whose journeys trace cycles of loss, renewal, and communal repair. By restoring mythic time to the present, Kire refuses colonial representations of Naga culture as frozen or obsolete and instead presents indigenous knowledge as adaptive and historically conscious. The text links spiritual belief with ecological practice, showing how animistic faith regulates everyday life, sustains social bonds, and frames ethical relations with the non-human world. Colonial intrusion and missionary intervention appear not only as political disruptions but as forces that fracture memory and ecological balance, producing internal conflict within the community. Yet the novel does not romanticise return; moments of tension reveal the strain of sustaining tradition under modern pressures. Through an ecocritical and Indigenous theoretical lens, the study argues that Son of the Thundercloud asserts narrative itself as a form of cultural endurance, where remembering the land becomes a way of resisting erasure.