Silbidos en el silencio

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Authors: Sergio Rojas Contreras
Cited by: 0

Abstract

In the installation work Amplified Silence, the ceramic objects have been crafted using pre-Hispanic techniques used centuries ago in the production of vessels. An aerophone whistle emanates from the vessels every time a hashtag related to domestic or gender violence is emitted. Paradoxically, what the pleasant hiss of the vessel ringing in the room announces is a linguistic act of violence. The artist Cecilia Flores has arranged a complex articulation between different orders of temporality: from domestic everyday life, from an ancestral pre-Hispanic technique, from social networks, from digital platforms (such as Twitter - now X), even from the relationship of the public with the work in the museum room. This plot, composed of strata of heterogeneous temporalities, operates as a sensitive sounding board for a form of violence that occurs daily, silenced in the order of the domestic.

Fields of Study & Subjects

Art Politics and Modernism Sound Studies and Aurality Technology and Culture

Publication details

Journal / source
Márgenes Espacio Arte y Sociedad
Volume
18
Issue
28
Pages
41–46
Publication date
16 January 2026