UNVEILING THE UNSEEN: QUEER REPRESENTATION IN INDIAN CINEMA AND THE ROAD YET TO BE EXPLORED

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Authors: Sheen Thankalayam, Subin Thomas, Bensha C Shaji, Jincy S S, Neenu Anna Ninan
Cited by: 2
References: 45

Abstract

There exists a disproportion in the Indian film industry in the delegation and the representation of queer community. The inclusion of queer subjects often fluctuates between invisibility, stereotypes, authentic portrayal and its acceptance. Investigations and explorations of the LGBTQ+ narratives in a refined and nuanced way became more visible in the Indiasn cinemas after the amendment of Section 377 in 2018. This study aims to observe and understand the horizons and boundaries of queer representation in the Indian film industry by examining the historical and contemporary global trends, significant movies, and related scholarly productions and literary narratives. A huge gap is prevailing between the global queer film sector and the Indian queer film sector in the detailing of queer subjects on the backdrop of social, political, economic and familial resistance. This review article evidences that the developments in both mainstream and regional industries still do not gain freedom from the restrictions of class, caste, gender binaries, and censorship. This apparently calls for the need for an intersectional and authentic detailing of queer narratives. The difference in the reception of queer subjects on various geographical and generational bases is yet another topic for discussion. The article stands for politically correct, culturally rooted, socially balanced queer portrayals in the Indian film industry.

Fields of Study & Subjects

South Asian Cinema and Culture Cinema and Media Studies LGBTQ Health Identity and Policy

Publication details

Journal / source
ShodhKosh Journal of Visual and Performing Arts
Publisher
Granthaalayah Publications and Printers
Volume
7
Issue
2s
Publication date
27 March 2026