PHAD PAINTING: A FOLK HERITAGE EXEMPLIFYING THE REMARKABLE SYNERGY OF DEVOTION, DEDICATION, AND COMMITMENT

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Authors: Dr. Abhishek Srivastava
Cited by: 0

Abstract

This research paper provides information on the Phad painting practised traditionally in Shahpura sub-division, located in the eastern part of Bhilwara district. This painting has been carried out for approximately seven centuries by painters of the Joshi clan in a specific family within Shahpura sub-division. Phad represents a cultural heritage that signifies the extraordinary synergy between the devotion of the painters and the dedication of its narrators. The paper describes the colours and techniques used in Phad painting, along with changes over time in its form and subjects. It encompasses all aspects of Phad painting, such as its history, relevance, challenges faced by its painters, and suggestions for its preservation. The paper is based on information gathered from primary and secondary sources. Keywords: Phad Painting, Handicraft, Shahpura, Bhilwara, Phad Narration, Joshi, Painter, Bhopa, Pabuji, Devnarayanji

Fields of Study & Subjects

South Asian Studies and Diaspora Indian and Buddhist Studies Architecture and Cultural Influences

Publication details

Journal / source
EPRA International Journal of Multidisciplinary Research (IJMR)
Pages
72–72
Publication date
7 January 2026