THE LINGUOPOETIC INTERPRETATION OF THE FEMALE IMAGE IN THE POETRY OF KHOREZM FEMALE POETS (BASED ON THE WORKS OF GAVHAR IBODULLAYEVA, GOZALBEGIM, AND SAYYORA SAMANDAR)

This article analyzes the issue of the linguopoetic interpretation of the female image in the poetry of female poets creating within the Khorezm literary milieu. The research is conducted on the basis of the works of Gavhar Ibodullayeva, Gozalbegim, and Sayyora Samandar, identifying how female subjectivity is expressed in poetic texts through linguistic units, symbols, and images. Based on a linguopoetic approach, the emotional-semantic field of the female image, its symbolic structures, and its connection with national and cultural memory are revealed. The article provides a scholarly interpretation of indirect expression, the poetics of silence, metaphorical thinking, and the functional load of symbols characteristic of female lyric poetry. The research findings demonstrate that in the poetry of Khorezm female poets, the female image represents an important linguopoetic unit that expresses not only individual emotional experience but also regional poetic thinking and national identity Keywords: Female Image, Linguopoetics, Khorezm Female Poets, Female Lyric Poetry, System Of Symbols, Emotional-Semantic Field, Poetic Image, Female Subjectivity, National Poetic Thinking, Analysis Of Literary Text.