Conclusion
Abstract
This conclusion draws together the various threads of participation discussed in the previous chapters, revealing participatory opera as a contested site of meaning and intention, particularly agile and adaptive, and inherently value-laden, political, and antagonistic.
Fields of Study & Subjects
Theatre and Performance Studies
Musicology and Musical Analysis
Art
Politics
and Modernism
Publication details
- Journal / source
- Routledge eBooks
- Pages
- 217–230
- Publication date
- 12 February 2026
- Language
- EN
- Document type
- Book chapter