Mixing Immersive Audio

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Authors: Ian Corbett
Cited by: 0

Abstract

This chapter is an introduction to immersive audio and important details and concepts necessary to understand before mixing in an immersive format. It is included because almost every DAW is capable of immersive production, so it’s best to educate the reader before they try their first immersive mix. The chapter explores some of the immersive formats available and the differences between loudspeaker and headphone formats. Analysing commercial mixes is suggested as a prerequisite to immersive mixing. New concepts specific to immersive mixing are introduced and effective use of the 3D immersive soundstage and various reverb and effect imaging options are discussed. Delivery of immersive files is introduced.

Fields of Study & Subjects

Music Technology and Sound Studies Speech and Audio Processing Music and Audio Processing

Publication details

Journal / source
Focal Press eBooks
Pages
312–327
Publication date
6 February 2026
Language
EN
Document type
Book chapter