Matteo Destro (Italy)

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Authors: David Bridel, Fabio Motta
Cited by: 0

Abstract

Matteo Destro describes the shape of his work with the Commedia Umana – the Human Comedy – detailing his response to Commedia dell’Arte and exploring the arts of mask-making and directing for the theater, and performance. He refers to his foundational training at the Lecoq School in Paris and examines in depth the working process of creating new material for the stage and the synthesis of writing, directing, and mask-making that characterizes his unique process.

Fields of Study & Subjects

Theatre and Performance Studies Arts and Performance Studies Theater Performance and Music History

Publication details

Journal / source
Routledge eBooks
Pages
161–173
Publication date
9 February 2026
Language
EN
Document type
Book chapter