Above-the-Line and Below-the-Line Considerations for Film Accounting

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Authors: Marie Barnas, Frank Barnas
Cited by: 0

Abstract

This chapter examines the distinction between above-the-line and below-the-line employees in film production. This delineation has profound implications not only for the budgeting and scheduling of a production but also for the culture of labor within the film industry. Above-the-line personnel are frequently associated with creative authorship and public recognition, while below-the-line crew members operate in relative invisibility, despite their indispensable role in bringing a film to life. As such, the terms themselves can reinforce hierarchies of prestige, value, and visibility within the industry. Understanding these categories, then, is essential not only for grasping how films are financed and staffed but also for appreciating the broader dynamics of power, recognition, and labor within film production.

Fields of Study & Subjects

Cinema and Media Studies Cultural Industries and Urban Development Cinema History and Criticism

Publication details

Journal / source
Routledge eBooks
Pages
55–74
Publication date
16 March 2026
Language
EN
Document type
Book chapter