Conclusion

View at publisher
Authors: Jacob R Randolph
Cited by: 0

Abstract

Thieleman van Braught’s Bloody Theater of the Baptism-Minded and Defenseless Christians, also known as the Martyrs Mirror, appeared in print in 1660. It was a revolutionary achievement, drawing over a century’s worth of letters, songs, chronicles, and remembrances together to paint a picture of a unified movement of Christian suffering and triumph stretching back to biblical times. Van Braught’s martyrology appeared in a transitional period of Dutch Anabaptism, a period that coincided with significant economic and political changes in the Low Countries, spurred on by the independence movements of the Eighty Years’ War.

Fields of Study & Subjects

Reformation and Early Modern Christianity Medieval Literature and History Renaissance Literature and Culture

Publication details

Journal / source
Routledge eBooks
Pages
153–157
Publication date
26 February 2026
Language
EN
Document type
Book chapter