Playing an Indian Queen

View at publisher
Authors: Amrita Sen
Cited by: 0

Abstract

A racially ambiguous Indian queen and her troop of singing Brachmani priests form the subject of this chapter. It analyzes The Temple of Love , William Davenant's masque for the Stuart queen Henrietta Maria, alongside the thriving new market for curiosities. The first botanical garden opened in London in the early seventeenth century, stocking up on exotic flora. Strange plants and animals also found their way into wonder cabinets across Europe. Simultaneously, treatises and public exhibits “collected” natives, including Indians. Henrietta Maria's appearance in Whitehall as Indamora, Queen of Narsinga, surrounded by strange Indian objects and sects seems to replicate this appetite for Eastern curiosities and allowed her to stage within a courtly space her own alterity as a French princess and a Roman Catholic.

Fields of Study & Subjects

Renaissance Literature and Culture Theatre and Performance Studies Literature: history themes analysis

Publication details

Journal / source
Routledge eBooks
Pages
116–141
Publication date
16 February 2026
Language
EN
Document type
Book chapter