The “Fund Cinema”

This chapter examines “minimalismo mexicano”, a film phenomenon that emerged in Mexico around 2002, largely dependent on European film funds for its financing. While these films often align with global art cinema aesthetics, achieving international acclaim and awards, they typically remain unpopular domestically. The chapter argues that despite its slow cinema characteristics (e.g., long takes, minimal dialogue, nonprofessional actors), minimalismo mexicano is not apolitical. Instead, it profoundly critiques contemporary Mexican socio-political issues, such as deep-rooted inequalities, migration, failed democratic promises, and the consequences of neoliberal reforms. It highlights the paradoxical nature of its reliance on foreign funding; while essential for production, this system inadvertently privileges filmmakers with existing cultural capital and from more established cinematic traditions, potentially undermining the stated aim of supporting marginalized cinemas and authentic representations. Ultimately, minimalismo mexicano, though transnational in its genesis, offers a radical and critical perspective on Mexican reality.