Bodies

This chapter uses bodies as a keyword through which to explore literary representations of reproductive justice, aging, erotic desire, gender-affirming health care, embodied intergenerational care, autonomy, and hugs. It discusses connections between literature and abortion, including representations of abortion in 1920s Canadian fiction, before turning to the main case study texts: Katherena Vermette’s (Red River Métis) The Strangers , Ivan Coyote’s Rebent Sinner , and Dionne Brand’s No Language Is Neutral . The chapter highlights literary techniques and passages that illuminate body-related oppression, but also representations of embodied resistance, autonomy, and care.