Strategie rewolucji bez przemocy w teatrze. Przypadek spektaklu 1968// biegnij, mała, biegnij (reż. Remigiusz Brzyk)
Abstract
In the present article, the author undertakes an in-depth formal, content-based and interpretational analysis of the performance 1968// biegnij, mała, biegnij directed by Remigiusz Brzyk. The performance is interpreted both in the historical context of 1968 and in the contemporary context of the discussion on violence in the theatre environment. The article analyses strategies for both conducting a revolution without violence and creating a performance without fetishising violence on stage. In this context, the role of music and body as a carrier of difficult emotions as well as body as a tool of resistance is emphasised.
Fields of Study & Subjects
Theatre and Performance Studies
Arts and Performance Studies
Art
Politics
and Modernism
Publication details
- Journal / source
- Zarządzanie w Kulturze
- Volume
- 26
- Issue
- 4
- Pages
- 355–355
- Publication date
- 2 March 2026
- Language
- EN