References
Abstract
This book on the global history of the fashion industry examines its ever-altering supply chains and changing production and consumption relations and locations over the last 170 years. Around the mid-nineteenth century, a new production system arose based on a rapid increase in the exchange of commodities globally, ground-breaking technological innovations (like the sewing machine, artificial dyes, and power looms), and the introduction of mass production based on factory work and the rise in demand for finished clothing for the new city-dwellers. Modern imperialism and the rise of fashion capitals like Paris, Vienna, and London made fashion a Western middle-class and upper-class phenomenon; however, at the same time, the masses in the metropoles and colonies were demanding cheap Western-style clothes. In the twentieth century, with the rise of the middle class around the world, Western-style clothes became the dominant fashion. The main actors in the fashion industry are explored, including manufacturers, designers, intermediaries, trade associations, trade shows, fashion forecasters, and retailers. It takes fashion as a capitalistic phenomenon that mobilizes consumption and constantly changes tastes to increase sales and profits. Although the new sartorial styles were often invented on the street, it was the industry and its marketers that further developed the styles and extended the demand. This book not only examines the different forms of fashion production but also the connections between these different forms, from catwalk to street fashion and vice versa, especially the role that different actors in the fashion industry have played in this global system.
Fields of Study & Subjects
Fashion and Cultural Textiles
Software Engineering and Design Patterns
Cultural and Historical Studies
Publication details
- Pages
- 255–276
- Publication date
- 1 January 2026