被「愛國」遮蔽的侵佔:南京博物院背後的公權私化邏輯 Patriotism as a Veil for Appropriation: Power Privatization Behind the Nanjing Museum Controversy

近年來,中國多起公共文化機構的爭議事件暴露出文物管理體系中的制度性漏洞,尤其是公權力在缺乏透明度與制衡機制下的個人化運作。南京博物院事件因涉及珍貴文物的流向與鑑定程序,引發廣泛社會關注,但公共討論多被「愛國」與「反愛國」的情緒對立所主導,難以觸及問題的結構根源。 本研究的寫作背景,即在於突破情緒化敘事,從制度與權力運作的角度重新審視事件,揭示公共資產如何在合法化話語的包裝下被逐步私有化,並探討其對文化治理與公共性造成的深層影響。 In recent years, several controversies involving cultural institutions in China have exposed systemic vulnerabilities in the governance of public heritage, particularly the personalization of state power in the absence of transparency and institutional checks. The Nanjing Museum incident, which centers on the handling and appraisal of valuable artifacts, sparked widespread public debate. Yet much of the discussion became polarized around notions of “patriotism,” obscuring the structural issues at stake. This study is written against that backdrop, aiming to move beyond emotional narratives and examine the incident through the lens of institutional dynamics and power privatization. It seeks to reveal how public cultural assets can be appropriated under legitimizing rhetoric and to explore the broader implications for cultural governance and the preservation of public interest.