The Promptus Manifesto - Cinema in the Age of Generative Probability

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Authors: Georg Tiller
Cited by: 0

Abstract

This manifesto introduces the concept of the Promptus: a cinematic object that is not recorded from reality but inferred through generative probability. As generative systems increasingly shape image production, cinema enters a historical rupture comparable to earlier technological shifts, yet distinct in its logic. Where classical cinema inscribed time through recording, generative images operate through prediction, simulation, and statistical likelihood. The Promptus Manifesto argues that this shift does not abolish authorship, but relocates it. Authorship emerges not from direct inscription or control of images, but from curatorial, ethical, and structural decisions within probabilistic systems. Each generated image constitutes a singular, irreversible event within a field of possibility, producing a new, paradoxical form of aura grounded in process rather than object. Rejecting both technological determinism and nostalgic defense of cinema, the manifesto positions the Promptus as a critical practice at the threshold of automation. It proposes a framework for understanding generative cinema not as replacement, but as a contested terrain in which memory, responsibility, and artistic intention must be actively preserved.

Fields of Study & Subjects

Cinema History and Criticism Art Technology and Culture Visual Culture and Art Theory

Publication details

Journal / source
Zenodo (CERN European Organization for Nuclear Research)
Publication date
13 January 2026