Integration into the Life-OS Generativity Framework: Hokusai's The Great Wave off Kanagawa as an Ontological Model

This study presents Katsushika Hokusai’s The Great Wave off Kanagawa as a visual model of a relational ontology of becoming and integrates this reading into the Life-OS generativity framework. It argues that being is not fixed substance but a circulating process in which stabilization functions as temporary crystallization within generative flow. Highlights • Interprets Hokusai’s The Great Wave through the Φ–G–S ontological model• Distinguishes between ephemeral and relationally embedded stabilization• Shows how artistic fixation can reopen perception of generativity• Integrates visual analysis into the Life-OS generativity framework• Proposes being as a circuit of emergence, relation, stabilization, and return Extended Description This study develops an ontological interpretation of Katsushika Hokusai’s The Great Wave off Kanagawa as a structural visualization of becoming. Using a triadic model of Φ (generativity), G (relational structuring), and S (stabilized form), the analysis shows how the wave, sea spray, Mount Fuji, and the woodblock print medium together articulate layered modes of emergence, persistence, and dissolution. The sea spray illustrates momentary stabilization detached from relational depth, while Mount Fuji represents enduring stabilization embedded within a broader relational field. The woodblock print itself operates as a meta-level stabilization that paradoxically reactivates perceptual access to generativity rather than enclosing it. The article then integrates this ontological reading into the Life-OS framework, which treats reality as a circulation of generativity, relation, and stabilization rather than a collection of fixed entities. Hokusai’s composition thus functions as a pre-modern diagram of generative ontology, demonstrating that persistence arises from relational embedding and that healthy stabilization reopens pathways to further becoming. Figure and Image Rights Note This record includes an original analytical diagram (Φ–G–S Ontological Structure in Hokusai’s The Great Wave off Kanagawa) created for scholarly purposes. The original artwork by Katsushika Hokusai (c. 1830–1832) is in the public domain. The digital reproduction of the original print used for reference is courtesy of The Metropolitan Museum of Art Open Access Program via Wikimedia Commons (CC0). Author’s Related Works Ohumi, K. (2025). Manifesto of the Life OS: The "It from Wave" Philosophy. Zenodo. https://doi.org/10.5281/zenodo.18106437 Ohumi, K. (2025). A Sampling-Theoretic Reinterpretation of Quantum Uncertainty and Wave Function Collapse. Zenodo. https://doi.org/10.5281/zenodo.18004579 Ohumi, K. (2025). 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