THE FORMATION AND DEVELOPMENT OF NEW ERA EXPERIMENTAL THEATERS
Abstract
This article explores the experimental processes of 20 th and 21st-century theatrical art and the methodology behind the formation of new directions. Based on source materials, it analyzes the creative laboratories of great reformers such as K.S. Stanislavski, V.E. Meyerhold, B. Brecht, and J. Grotowski, as well as the concepts of "conditional theater," "biomechanics," and "poor theater." Furthermore, the role of experimental research in contemporary Uzbek theater and the issues of artistic integrity are highlighted.
Fields of Study & Subjects
Theatre and Performance Studies
Arts and Performance Studies
Theater
Performance
and Music History
Publication details
- Journal / source
- Zenodo (CERN European Organization for Nuclear Research)
- Publication date
- 16 February 2026
- Language
- EN
- Document type
- Dataset