La Grazia nel cinema di Robert Bresson, il possibile nell’impossibile
Abstract
This article examines Robert Bresson’s concept of the “cinematograph” as a practice aimed at revealing inner movement and spiritual action beyond psychology. Through Diary of a Country Priest, A Man Escaped, and Pickpocket, it highlights aesthetic reduction, rhythm, and gesture as forms of a “physics of the soul”, read in dialogue with Kierkegaard’s philosophy of faith, choice, and the paradoxical leap that opens a new temporality through Grace.
Fields of Study & Subjects
Cinema History and Criticism
Ethics
Aesthetics
and Art
Literature
Film
and Journalism Analysis
Publication details
- Journal / source
- K
- Issue
- 15
- Publication date
- 18 January 2026
- Language
- FR