The Underworld as Counter-State: Crime, Justice, and Informal Governance in Suketu Mehta’s Maximum City

Read full text
Authors: Isaac Ashish Kumar Ghosh
Cited by: 0
References: 4

Abstract

Suketu Mehta’s Maximum City presents Bombay’s underworld in a specific way. It is not presented as a mere criminal subculture. Instead, it is shown as an entrenched parallel state. The novel suggests a specific condition. This occurs when a proper government is not working well. In this void, organized crime takes over. It offers important services to fill the gap. These services include justice and safety. They also include job opportunities and social support. This forms a working alternative system of control. However, this system is harsh. In Bombay, the relationship between politics and crime is not one of opposition. It is one of deep symbiosis. This political-criminal nexus forms essential machinery. Through it, informal sovereignty is exercised. It transforms the underworld from a marginal criminal element. It becomes a central pillar of shadow governance. Mehta uses vivid narratives. Underworld also provides patronage and social mobility to marginalized communities. This analysis explores three intertwined domains. The first is crime as enterprise. The second is vigilante justice as authority. The third is the symbiosis between politics and crime. This demonstrates how the underworld challenges the state. It challenges the state’s monopoly on power and legitimacy. Ultimately, Mehta’s work presents Bombay not as an anomaly. It presents Bombay as a diagnostic paradigm for 21st-century global megacities. In these cities, informal governance becomes a durable alternative. This occurs in contexts of institutional failure, stark inequality, and rapid urbanization. The narrative employs a deliberate moral ambiguity.

Fields of Study & Subjects

Crime Illicit Activities and Governance Postcolonial and Cultural Literary Studies Literature: history themes analysis

Publication details

Journal / source
Integrated Journal for Research in Arts and Humanities
Volume
6
Issue
1
Pages
188–195
Publication date
31 January 2026
Language
EN