The General Theory and Methodology of Creativity
Abstract
The TMGC perspectives positioned on the PAG, in essence, are of a multiple case study, accessed at the Romanian Philology Department in accessing on: a) autonomy-absolute; b) personality - global value; c) interrelation: phenomenon-phenomenology-phenomenal, d) the correlation of self-socium, authentic-universal, mythologicalidentity. We point out that personality, a complex value product, is the primary indicator of awareness of fulfillments both from the positions of scientific creativity and from the positions of intuitive-artistic knowledge; art being not only a purely imitative exercise (mimesis), but also a high level of generality. In the present manifestation of the realization of the case study ’’Mythological motifs in the art of becoming: 1. the motif of eternal return, 2. the motif of pastoral generosity, the motif of sacrifice for creation, the motif of returning to actuality, the motif of elevation through spirituality-Victoria Fonari, we agree that at the level of TMGC, PAG – MECA assembles several interconnected techniques, returning to the square of concerns/to the hypotenuse of dignity through the well-known formula: MRE/method of returning to essence. MAE/method of emphatic analysis – MAS/method of structuralist analysis- MAx./axiomatic method = MECA in the context of Myth - authentic and universal axiological landmark.
Fields of Study & Subjects
Literary Theory and Cultural Hermeneutics
Creativity in Education and Neuroscience
Cultural and Mythological Studies
Publication details
- Journal / source
- International Journal of Applied Science and Research
- Volume
- 09
- Issue
- 01
- Pages
- 42–52
- Publication date
- 1 January 2026
- Language
- EN