The General Theory and Methodology of Creativity

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Authors: Liuba Botezatu
Cited by: 0

Abstract

The TMGC perspectives positioned on the PAG, in essence, are of a multiple case study, accessed at the Romanian Philology Department in accessing on: a) autonomy-absolute; b) personality - global value; c) interrelation: phenomenon-phenomenology-phenomenal, d) the correlation of self-socium, authentic-universal, mythologicalidentity. We point out that personality, a complex value product, is the primary indicator of awareness of fulfillments both from the positions of scientific creativity and from the positions of intuitive-artistic knowledge; art being not only a purely imitative exercise (mimesis), but also a high level of generality. In the present manifestation of the realization of the case study ’’Mythological motifs in the art of becoming: 1. the motif of eternal return, 2. the motif of pastoral generosity, the motif of sacrifice for creation, the motif of returning to actuality, the motif of elevation through spirituality-Victoria Fonari, we agree that at the level of TMGC, PAG – MECA assembles several interconnected techniques, returning to the square of concerns/to the hypotenuse of dignity through the well-known formula: MRE/method of returning to essence. MAE/method of emphatic analysis – MAS/method of structuralist analysis- MAx./axiomatic method = MECA in the context of Myth - authentic and universal axiological landmark.

Fields of Study & Subjects

Literary Theory and Cultural Hermeneutics Creativity in Education and Neuroscience Cultural and Mythological Studies

Publication details

Journal / source
International Journal of Applied Science and Research
Volume
09
Issue
01
Pages
42–52
Publication date
1 January 2026
Language
EN