THE GENDERED LANGUAGE OF ORNAMENT: SYMBOLISM, POWER AND AESTHETICS IN FASHION

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Authors: Dr. Nidhi Vats
Cited by: 0

Abstract

Ornamentation in fashion has always been more than mere decoration it is a language that communicates identity, status and power. Across cultures and eras, both men and women have used adornments to signify belonging, beauty, authority and resistance. This chapter explores how ornaments function as a gendered visual code, revealing the intertwined relationships among aesthetics, symbolism and social power. Drawing upon historical evidence, sociocultural theory and contemporary fashion practices, it examines how the meanings of male and female ornamentation have evolved from sacred and royal insignia in traditional societies to expressions of individuality and gender fluidity in modern fashion.1,2 Indian ornamentation, rich with regional diversity and symbolic depth, forms a vital part of this narrative. The chapter highlights how adornments such as bangles, turbans, anklets and embroidered textiles are embedded in India’s gendered cultural identity, yet are being reinterpreted through global fashion movements that blur traditional boundaries.3 Ultimately, it argues that ornaments act as living cultural texts, continuously rewritten by social change, sustainability ethics and inclusive design aesthetics.

Fields of Study & Subjects

Fashion and Cultural Textiles Cultural and Historical Studies Media Gender and Advertising

Publication details

Pages
76–86
Publication date
30 January 2026
Document type
Book chapter