Por una coreografía tullida en el pensamiento
Abstract
This paper critically examines the notion, predominant in Western modernity, that knowledge production occurs exclusively through reason. It proposes wandering as a methodological tactic to reconcile body and mind through the embodied experience of disability, thereby generating a “crip choreography” within thought. To this end, it engages with Spinoza’s concept of the body, the critical analysis of the conceptual category of ability as developed within critical disability studies—particularly in Crip Theory—and dance experimentation, approached from an embodied epistemological perspective.
Fields of Study & Subjects
Disability Rights and Representation
Corporeality
Perception
and Education
Posthumanist Ethics and Activism
Publication details
- Journal / source
- Estudios Culturales
- Volume
- 2
- Issue
- 2
- Pages
- 1–14
- Publication date
- 13 January 2026
- Language
- ES