LE PATRIOTISME DANS LE THÉÂTRE CLASSIQUE : CLÉOPÂTRE CAPTIVE D’ÉTIENNE JODELLE, HORACE DE CORNEILLE ET AMPHITRYON DE MOLIÈRE
Abstract
Abstract: The image of a state depends greatly and always on the spirit of its leaders. Indeed, for each era, there are criteria that determine this stance. In 16th and 17th century France, literature served to represent and evaluate the actions of the monarchy. This monarchy, now synonymous with the state, was undoubtedly an imperfect model, but it fulfilled an ideal that satisfied the populations who identified with it. The required characteristics included, among others, the courage and honor of kings, princes, and princesses. Thus, a committed discourse emerged, revealing the patriotic sentiments of the characters and allowing playwrights like Étienne Jodelle, Pierre Corneille, and Molière to produce theatrical texts in which poetics intertwined with commitment to demonstrate love of country and preserve its honor. Keywords: State – Honor – Fatherland – People – Royalty.
Fields of Study & Subjects
Renaissance Literature and Culture
French Literature and Criticism
Theatre and Performance Studies
Publication details
- Journal / source
- Les annales de la FLSH
- Volume
- 1
- Issue
- 55
- Publication date
- 5 January 2026