An Exploration into Understanding Movement Narratives and Characterization in the Choreographies of V. Seshu Parupalli in Select K. Vishwanath Films

This paper explores the narrative function of choreography in Indian cinema through the collaborative works of choreographer V. Sheshu Parupalli and filmmaker K. Vishwanath.Renowned for his mastery in Kūcipuḍi, Sheshu introduced classical dance vocabulary into mainstream Telugu films, particularly in six iconic collaborations with Vishwanath: Śaṅkarābharaṇam (1980), Saptapadī (1981), Śubhalēkha (1982), Sāgara Saṅgamam (1983), Śrutilayalu (1987), Svarṇakamalam (1988).The study examines how Sheshu's choreography moves beyond aesthetic presentation, functioning instead as a vital narrative tool that shapes character development, emotional arcs, and thematic expression.Through a qualitative analysis of dance sequences across these films, this research identifies how movement replaces dialogue, symbolizing internal struggles, relationships, and transformations.For instance, in Sāgara Saṅgamam, the protagonist's journey of rise, fall, and redemption is conveyed through the language of dance.Similarly, in Svarṇakamalam, dance becomes a metaphor for personal growth and self-realization.The research also highlights the integral synergy between classical music and movement, as seen in the guru-śiṣya dynamic of Sankarabharanam, where choreography reinforces the film's devotional and pedagogical themes.By focusing on this specific collaboration, the paper contributes to the underexplored area of choreographic storytelling in Indian cinema, positioning dance as a central, rather than supplementary, cinematic language.