From Spatial Production to Memory Production: The Inscription Mechanism as an Analytical Model in Heritage Contexts

Heritage spaces are commonly treated as stable containers of historical meaning, yet their significance is continuously produced, mediated, and reactivated through spatial arrangements, visual representations, and social practices. Although theories of spatial production and collective memory have each addressed aspects of this process, the mechanisms connecting spatial production to memory production remain insufficiently articulated. This article introduces the inscription mechanism as an analytical model for understanding how collective memory is produced in heritage contexts. Drawing on Paul Ricoeur’s concept of inscription and the medial turn in spatial theory, inscription is conceptualized as a mediating process operating across temporal, spatial, visual, and practical dimensions. The article develops a four-dimensional model that highlights the governing role of temporal organization in coordinating memory activation. By reframing heritage spaces as memory-producing systems, this study offers a theoretical and methodological framework for future research on spatial narratives and public memory.