Goce y nostalgia: elementos para una sociología de la música parrandera decembrina y el chucu-chucu como formas de construcción de memoria en la dimensión estética del contexto de vida obrero-campesino en Colombia

This article offers a sociological approach to festive December music and chucuchucu as cultural expressions linked to Colombia’s working-peasant context. From a hermeneutic-critical perspective, it analyzes joy and nostalgia as key concepts to understand collective memory in settings marked by dispossession. Based on audiovisual sources and specialized literature, the study argues that these musical traditions shape an aesthetic dimension where non-hegemonic forms of identity and social experience are inscribed.